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but its proximity to Yoshida
By rotating the scene
transforming a simple work gesture into a sophisticated visual meditation on Fuji and the forms that evoke it
coerente con una tendenza che Hokusai manifesta spesso nella sua arte
The series is inspired by the silhouettes prepared by the artist in 1925 in his Atelier Simultané in Paris
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 89, 1836-1847 sculture but its proximity to YoshidaStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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