KŌRIN FURUYA, Kōrin-style Patterns n. 34, 1897 sculture and spots of bright color

and spots of bright color

The prints of Sam Francis

Plate out of text for Joan Miró Lithographe I

he later established himself among the masters of European Abstractionism

She never left the temple but worshiped night and day

KŌRIN FURUYA, Kōrin-style Patterns n. 34, 1897 sculture and spots of bright colorStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London: