LOUTTRE. B, le jour avant le bonheur. Pratique The dead man's gaze passes

The dead man's gaze passes and does not linger

and the splendor of the court

as well as the facets of their identity and functions

axis of the world

costume designers

LOUTTRE. B, le jour avant le bonheur. Pratique The dead man's gaze passesBiography of Marc Antoine Bissire, known as Louttre. B (1926 2012) From his adolescence spent in the Lot region, Louttre. B retained a predilection for nature. The need to paint arose very early on, in the studio where he interacted with his father, the painter Roger Bissire (1886 1964). His first solo exhibitions took place at the Loeb Gallery in 1957 and then at the Jeanne Bucher Gallery in 1959. Louttre. B's work found its identity in the early