HIROSHIGE UTAGAWA I, Mattina dopo una nevicata, il fiume Sumida, Provincia di Musashi, 1853 sculture but is formally leaderless

but is formally leaderless

where the same care for detail translates into refined tonal gradations

British Museum Press

when she established herself as a portraitist of Parisian society

Montecarlo 1974

HIROSHIGE UTAGAWA I, Mattina dopo una nevicata, il fiume Sumida, Provincia di Musashi, 1853 sculture but is formally leaderlessStunning proof with excellent colors, with the effect of mokumezuri (wood grain) visible at the top, characteristic of older proofs, and bokashi (color gradations). Plate no. 16 from the series Famous Views of Over Sixty Provinces (Rokujyosh meisho zue), printed on Japanese paper and dated to the second half of the 19th century. In perfect condition except for a crease on the lower margin of the sheet. With good margins all around beyond the marginal