Azimuts #60 biceps after the architecture section comes

after the architecture section comes the portfolio of Laurian Ghiniţoiu

and select pages from an 1881 lighthouse keeper’s manual that Robert and Max Eggers referenced when writing the script

reflects on her enduring legacy as a house music icon and the lasting resonance of Gypsy Woman

puis les événements qui s’y sont déroulés (workshops

The photos were put away in a box and forgotten for four years

Azimuts #60 biceps after the architecture section comesFocusing on contributions that explore composites as forms of art and design, as research methodologies and practices, and or as theoretical concepts, issue 60 of the journal Azimuts proposes look at composites as a way of presenting or representing realities.